(Set Design) DTC: Colossal, Les Misérables, Henry IV, Pride and Prejudice, Moonlight and Magnolias. Other theater: Meet Vera Stark (Alliance Theater); Charley’s Aunt (Guthrie Theater); Macbeth (Shakespeare Theatre); Rough Crossing (Old Globe Theatre); You Never Can Tell, First Lady (Yale Rep); Three Tall Women (Center Stage). Opera: Cavalleria Rusticana/Pagliacci, Simon Boccanegra (San Diego Opera); Die Meistersinger von Nürnberg, Arshak II, The Ballad of Baby Doe, Albert Herring, La Calisto (San Francisco Opera); Die Fledermaus; Merola Opera (Washington Opera). Training: Yale School of Drama. Teaching: Director of Scenic Design, University of North Carolina School of the Arts.

(Costume Design) DTC: Sense and Sensibility. New York: Public Theater; Cherry Lane Theatre; Atlantic Theater Company;? Playwrights Realm; terraNOVA collective’s Women’s Project; The Juilliard School; Theatre for a New Audience. Regional: Oregon Shakespeare Festival; ?Shakespeare & Company; ZACH Theatre; Syracuse Stage; The Jungle Theater; Asolo Rep Theatre; Palm Beach Opera; La Jolla Playhouse; Yale Repertory Theatre. Awards/Education: Opera America’s 2015 finalist for The Robert L.B. Tobin Director-Designer Showcase, Austin Critics’ Table Award winner for Best Set Design for 2014. Live Design Magazine “Young Designer to Watch” 2012. Graduate of The Yale School of Drama. moriaclinton.com

(Original Music / Sound Design) DTC: Stagger Lee (Co-Composer, Co-Orchestrator, Arranger). Broadway: Other Desert Cities (Lincoln Center Theater/Booth Theatre). Off-Broadway: Fetch Clay Make Man (New York Theatre Workshop); Other Desert Cities (Lincoln Center Theater); The Break of Noon, The Pride (MCC); The Seven (New York Theatre Workshop). Regional: Detroit 67 (Kenny Leon’s True Colors Theater); Intimate Apparel (Chautauqua Theater Company); All My Sons (People’s Light Theater); The Comedy of Errors (Oregon Shakespeare Festival); Loving v Virginia (Williamstown Theatre Festival); Clementine in the Lower 9 (TheaterWorks); Gee’s Bend (Cincinnati Playhouse);  Are You There McPhee? (McCarter Theater); King Hedley, Shakespeare’s R&J, Topdog/Underdog (Alliance Theatre); The Seven (La Jolla Playhouse); As You Like It (Stratford Shakespeare Festival). Awards: 2010 Grammy® Award winner, 2011 ASCAP Award winner

(Lighting Design) DTC debut. New York: New York Theatre Workshop; Soho Rep.; Ars Nova; Ma-Yi Theater Company; New Georges; Hoi Polloi; etc. Regional: Oregon Shakespeare Festival; The Wilma Theater; Yale Rep.; Huntington Theatre Company; Berkeley Rep.; Barrington Stage Company; Richard B. Fisher Center for the Performing Arts at Bard College; Duke Performances; etc. Music/Opera: Prototype Festival; ArtsEmerson; Curtis Institute of Music; Krannert Center for the Performing Arts. Dance: Nichole Canuso Dance Company. yi-zhao.com

(Hair Design) DTC: Sense and Sensibility. Recent: The Manchurian Candidate (Minnesota Opera), The Colored Museum (Huntington Theatre Company), and Lady of the Camelias (Boston Ballet). Upcoming: Carmen (Minnesota Opera), The Marriage of Figaro (The Princeton Festival), Don Giovanni (Boston Lyric Opera). Broadway: The 39 Steps. 

(Dialect Coach) Selected DTC: The School for Wives; Medea; King Lear; The Tempest; Henry IV; A Midsummer Night’s Dream. He is Head of Voice/Speech with the Brown University/Trinity Repertory MFA Program and in his 14th season as Voice/Speech Director at the Trinity Repertory Company. He’s worked extensively as a voice and speech consultant in theatre, film, and television. Theaters: The Public Theater, The New York Shakespeare Festival (Amy Adams), Yale Repertory Company (Mandy Patinkin), and more. Film/TV: Rabbit Hole: Nicole Kidman (Academy Award Nomination - Best Actress); The Paperboy: Nicole Kidman (Golden Globe, SAG Nomination – Best Supporting Actress); Bleed for This: Miles Teller, Aaron Eckhart, Katey Segal, Ciaran Hinds

(Fight Director) DTC credits: Les Misérables; Sherlock Holmes: The Final Adventure; Oedipus el Rey; King Lear. DFW choreography credits include: Dallas Opera; Second Stage Theatre; Undermain Theatre; Theatre Three; Shakespeare Dallas; Southern Methodist University; and Cara Mía Theatre Co. Favorite DFW choreography credits include: FairyTale Lives of Russian Girls (Undermain Theatre); Will Power’s The Seven (Southern Methodist University); and Romeo and Julieta (Cara Mía Theatre Co.).

(Production Manager) served as the Costume Shop Manager at Dallas Theater Center for many years prior to, most recently, leading the Costume Department at the Alabama Shakespeare Festival. She is enjoying her second season back at DTC, leading the Production Department through the exciting and thrilling adventure that is in store.

(New York Casting) DTC: Joseph and the Amazing Technicolor^® Dreamcoat; The Wiz; Arsenic and Old Lace; It’s a Bird… It’s a Plane… It’s Superman. Broadway: The Heiress; Scandalous: The Life and Trials of Aimee Semple McPherson; Ghost; One Man, Two Guvnors (US Casting); Jesus Christ Superstar (US Casting); Hugh Jackman: Back on Broadway; How to Succeed ...; Promises, Promises; A Little Night Music; Billy Elliot; Shrek; Guys and Dolls; The Farnsworth Invention; …Young Frankenstein; The Little Mermaid; Mary Poppins;My Fair Lady; Pirate Queen; Les Misérables; Spamalot; Jersey Boys; …Spelling Bee; The Producers; Mamma Mia!; Phantom of the Opera; Contact. Off-Broadway: Love, Loss, and What I Wore, Old Jews Telling Jokes. Regional: Yale Repertory, La Jolla Playhouse, Westport Country Playhouse. Film: Lucky Stiff, The Producers.

Megan Winters (Stage Manager) DTC: The Book Club Play; Driving Miss Daisy; Sherlock Holmes: The Final Adventure; Oedipus el Rey; Clybourne Park; Red; Tigers Be Still (SM); FLY; The Elaborate Entrance of Chad Deity; The Tempest (ASM); Dividing the Estate; The Trinity River Plays; A Christmas Carol (PA). NYC Workshop: FLY (ASM). Second Thought Theatre: Thom Pain (based on nothing) (PSM). Shakespeare Dallas: The Comedy of Errors (ASM). She also worked the grand opening of the AT&T Performing Arts Center and has enjoyed working for the Olney Theatre Center and the Seaside Rep Theatre. Love to the fam for always supporting me on this crazy journey. Go Team!