Cheryl Strayed

cherylstrayed.com

Joel Ferrell

Directing/choreography credits include: The Rocky Horror Show; Joseph and the Amazing Technicolor® Dreamcoat; Cabaret; A Christmas Carol (2005-2009, 2011, 2012). Dallas Theater Center directing credits include: Steel Magnolias; Hairspray; Frankenstein; The Christians; Dreamgirls; Romeo and Juliet; Clybourne Park; Red; God of Carnage; Dividing the Estate; reasons to be pretty; The Laramie Project: Ten Years Later; and Cotton Patch Gospel (starring its creator Tom Key). Dallas Theater Center choreography credits include: It’s a Bird… It’s a Plane… It’s Superman; A Midsummer Night’s Dream; The Who’s Tommy; and My Fair Lady. DFW Credits: Gruesome Playground Injuries (Second Thought Theatre); Who’s Afraid of Virginia Woolf?, The Baltimore Waltz (Stage West); the premiere of Huck Finn (Classical Acting Company). Mr. Ferrell is a former Artistic Director of Casa Mañana Musicals Inc. in Fort Worth, Texas. He has worked extensively around the country for Portland Center Stage, Papermill Playhouse, Ford’s Theatre, Lyric Theater of Oklahoma and North Shore Music Theatre, among others.

Cheryl Strayed

cherylstrayed.com

Joel Ferrell

Directing/choreography credits include: The Rocky Horror Show; Joseph and the Amazing Technicolor® Dreamcoat; Cabaret; A Christmas Carol (2005-2009, 2011, 2012). Dallas Theater Center directing credits include: Steel Magnolias; Hairspray; Frankenstein; The Christians; Dreamgirls; Romeo and Juliet; Clybourne Park; Red; God of Carnage; Dividing the Estate; reasons to be pretty; The Laramie Project: Ten Years Later; and Cotton Patch Gospel (starring its creator Tom Key). Dallas Theater Center choreography credits include: It’s a Bird… It’s a Plane… It’s Superman; A Midsummer Night’s Dream; The Who’s Tommy; and My Fair Lady. DFW Credits: Gruesome Playground Injuries (Second Thought Theatre); Who’s Afraid of Virginia Woolf?, The Baltimore Waltz (Stage West); the premiere of Huck Finn (Classical Acting Company). Mr. Ferrell is a former Artistic Director of Casa Mañana Musicals Inc. in Fort Worth, Texas. He has worked extensively around the country for Portland Center Stage, Papermill Playhouse, Ford’s Theatre, Lyric Theater of Oklahoma and North Shore Music Theatre, among others.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

David Coffee

Dallas Theater Center: Hairspray; Electra; The Great Society; All the Way; Fly By Night; Cabaret; A Christmas Carol; My Fair Lady. Since David’s theatrical debut in 1968 as Portly Otter in Casa Manana’s The Wind In The Willows, he has built a career that encompasses all fields of entertainment (with the exceptions of Grand Opera and the Circus); and audiences have welcomed him from Portland, Oregon to Portsmouth, New Hampshire. In addition to his long association with Casa (90 productions), he has become known as a New England Tradition and the G.O.A.T. for his portrayal of Scrooge at Massachusetts’ North Shore Music Theatre (where the greenroom is named in his honor). He is also the recipient of the Elston Brooks Lifetime Achievement Award from the Live Theatre League of Tarrant County.

DavidCoffee.org

Camilla Frontain

Camilla Frontain is a member of SMU’s MFA Acting class of 2022. She’s grateful to be joining the DTC theatre community for Tiny Beautiful Things as an understudy. Some of Camilla’s favorite credits include John Colton Sumner in Jaclyn Backhaus’s Men on Boats (SMU), Hannah in Elizabeth Golden’s world premiere of The Rapture Happens at Midnight (An Other Theatre Co.), Nora in Henrik Ibsen’s A Doll’s House (BYU-I), and Gavroche in Les Misérables (Playmill Theatre). Outside of the theatre, Camilla enjoys spending time with her plants, baking banana muffins, and running her photography business for actors and artists. 

Alex Organ

Molly Searcy

Molly is a proud member of the SMU MFA Acting class of 2020. She is excited to have joined Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company this season, where she has appeared in: Working: A Musical; Something Grim(m); In the Bleak Midwinter: A Christmas Carol for Our Time; The Wolves; A Christmas Carol; and Frankenstein. Some of her favorite roles to date include: Faye in Theresa Rebeck’s world premiere of Enlightened (Alley Theatre All-New Festival), Sarah in Gordon Dahlquist’s world premiere of Red Chariot (Undermain Theatre), #11 in The Wolves (Dallas Theater Center), Lady Macbeth in Macbeth, Ranevskaya in The Cherry Orchard, Eurydice in Eurydice (SMU), Charlotte Corday in The Revolutionists (Main Street Theater), Helena in A Midsummer Night’s Dream, Laurie/Millicent in Stage Kiss (4th Wall Theatre Co.), and The Eternal Feminine in Wittenberg (Stages Repertory Theatre). Molly is also a voice actor for Sentai Filmworks, FUNimation, and Sound Cadence Studios. She is best known as the voice of Akame in Akame ga Kill! on Cartoon Network and Netflix, Isuzu Sento in Amagi Brilliant Park, Mako Reizei in Girls und Panzer (Netflix), and Hilda in Saint Seiya (Netflix). Molly is a native Houstonian, with a background in ballet, and a deep love for animals. In her free time, she enjoys walking and exploring new cities, pilates and barre classes, chronically streaming Spotify and NPR, drinking too much coffee, and trying to figure out how to use her Instant Pot and Air Fryer.

Sally Nystuen Vahle

Sally (Leanne) is a member of Dallas Theater Center’s Diane and Hal Brierley Resident Acting Company. For the past 25 years, Sally has been fortunate to act in a wide range of roles at Dallas Theater Center, including: In the Bleak Midwinter (Mrs. Fezziwig); Little Women (Hannah, Aunt March); Sweat (Tracey); Steel Magnolias (Ouiser Boudreaux); White Rabbit Red Rabbit; Paulina in Public Works Dallas’ The Winter’s Tale; Mildred in Miller, Mississippi; Scrooge in A Christmas Carol; Linda Loman in Death of a Salesman; Fraulein Kost in Cabaret, Annette in God of Carnage, Bev/Kathy in Clybourne Park, Medea in Medea, and Clytemnestra in Electra.  She is a 2011 Lunt-Fontanne Fellowship Award recipient, co-founder of Dallas’ Kitchen Dog Theater, and she works extensively in broadcast/voice over. Sally is proud to serve the University of North Texas Department of Theater as Associate Professor of Acting and Voice. She is represented by The Mary Collins Agency.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

John Slauson

JOHN SLAUSON (Scenic and Projection Design) is a proud graduate of the SUNY Oswego theater program, where he got his Degree in Theatre with an emphasis on Lighting Design. John has been working for Dallas Theater Center since he left California in 2010. In California John was the Prop Master at South Coast Repertory Theater for eleven years. Before that he had worked all over the country, including: many summers at the Merry-Go-round Playhouse, two years as the Prop Master at LSU, and two years freelancing in Louisville, Ky. During one of those many summers at the Merry-Go-Round John met his wife,Tammy.  He/Him/His

Micheal Heath Waid

MICHEAL HEATH-WAID (Costume Design) is a Costume Designer and Theatremaker with a career spanning more than twenty years. Prior to joining DTC, he worked as the Resident Costume Designer for the Midland Community Theatre, the second largest community theatre in the United States boasting a base of 500+ volunteers. Micheal is also an entrepreneur with his husband, James, having offered custom sewing and hand-dye work. Micheal holds a M.F.A. from the University of Alabama in Costume Design & Technology and a B.A. from Jacksonville State University where he studied Theatre, English, and Vocal Performance.

Bryan Anthony White

BRYAN ANTHONY WHITE (Director of Production) Bryan joined DTC as Director of Production after spending the last several years leading creative development, programming and production management for cutting-edge theatrical and live entertainment offerings in the Cruise industry. A Production Stage Manager by training, Bryan began his career in eastern North Carolina, serving as Stage Manager, Production Manager and Assistant Director for various educational and regional theatre projects. He spent the next several years overseeing show and production operations in the theme park industry, where he collaborated with numerous Tony^® and Drama Desk award-winning designers to deliver world class productions. Bryan brings over a decade of corporate entertainment leadership experience to DTC to continue to grow the Production department’s focus on leadership, management and communication. he/him/his

Sarahbeth Grossman

SARAHBETH GROSSMAN (Artistic Producer) is a Tony Award^®-nominated and Olivier Award-winning producer. Her credits include Broadway: Indecent; An American in Paris (B-way, West End National Tour); Come From Away (West End); Dames At Sea; Ann and Stick Fly. Off-Broadway: The Irish Curse.  A graduate of the Commercial Theater Institute, Sarahbeth holds an MFA in Theater Management from the Yale School of Drama where she served as  Associate Managing Director of Yale Rep.  She is a proud member of the Broadway League, Theater Communications Group, National Alliance for Musical Theatre and Producer’s Guild of America.

Emily Burke

EMILY BURKE (Stage Manager)  DTC: Working: A Musical; Something Grim(m); In the Bleak Midwinter; Little Women; In The Heights; A Christmas Carol (2016 – 2019); Public Works Dallas (2018 – 2019) Real Women Have Curves; Sweat; Steel Magnolias; White Rabbit Red Rabbit; Frankenstein; Hair; Hood; Electra; The Christians; Constellations. Second Thought Theatre: Drunk Enough to Say I Love You / Here We Go. 

Emily Burke

EMILY BURKE (Stage Manager)  DTC: Working: A Musical; Something Grim(m); In the Bleak Midwinter; Little Women; In The Heights; A Christmas Carol (2016 – 2019); Public Works Dallas (2018 – 2019) Real Women Have Curves; Sweat; Steel Magnolias; White Rabbit Red Rabbit; Frankenstein; Hair; Hood; Electra; The Christians; Constellations. Second Thought Theatre: Drunk Enough to Say I Love You / Here We Go.